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Humphrey Bogart – Hydraulic Couplings Supplier – Manufacturer of Precision Fasteners

Early life

Bogart was born in New York, the first Belmont DeForest Bogart's son (July 1867, Watkins Glen, New York, September 8, 1934, the Tudor City apartments, New York, New York) and Maud Humphrey (1868 1940). Belmont and Maud were married in June 1898. his father's ancestors were of Dutch, English, and Spanish origin. [Citation needed] Bogart is a Dutch name that means Rchard. His mother's family were largely descendants of English and to a lesser degree of Wales. [Citation needed] Bogart father was a Presbyterian, while his mother was a Episcopalian. Bogart was raised in the faith of his mother.

Birthday Bogart has been controversial. It was long believed that his birth date Christmas 1899, was a Warner Bros. fiction created to romanticize his past, and that he was actually born on January 23, 1899, a date that appears in many references. However, this story is now considered baseless: birth certificate, although it has not been found, its notice of birth appearing on a New York newspaper in early January 1900, which supports the date of December 1899, as well as other sources such as the census of 1900.

Childhood

Bogart's father, Belmont, was a surgeon specializing in heart and lungs. His mother, Maud Humphrey, was a commercial illustrator, who received his art training in New York and France, including the study of James McNeill Whistler, and who later became artistic director of the fashion magazine eyeliner. She was a militant suffragette. She used a Drawing Baby Humphrey in a well-known advertising campaign by Mellins Baby Food. At its peak, she made more than $ 50,000 a year, then a huge sum, far more than her husband's $ 20,000 per year. The Bogarts lived in a posh apartment in Upper West Side, and had a house in a smart and fifty-five acres in upstate New York on Canandaigua Lake. As a youngster, Humphrey gang of friends in the lake would put in theaters.

Humphrey was the oldest of three children, he had two younger sisters, Frances and Catherine Elizabeth (Kay). His parents were very formal, busy in their careers, and often little emotion foughtesulting to children: "I was raised very sentimental, very honestly. A kiss on our family, was an event. Our mother and father did not glug plus my two sisters and me ". As a boy, Bogart was caused by his curls, his tidiness, the" cute "pictures his mother had him pose for a Little Lord Fauntleroy outfit she wore innd the name "Humphrey." From his father, Bogart inherited a tendency for the integration of people, a fondness for fishing, lifelong love, a candle and attraction by strong-willed women.

Education

The Bogarts sent their son to private schools. Humphrey started school at the school until Delancy fifth grade, when he was enrolled at Trinity School. He was a student, regardless rebels who showed no interest in extra-curricular activities. Later he was to the prestigious prep school Phillips Academy in Andover, Massachusetts, where he was admitted on the basis of family connections. They hoped he would go to Yale, but in 1918, Bogart was expelled.

The details of his expulsion are disputed: one story claims that he was expelled for throwing the director (Alternatively, a gardener), Rabbit in the pond, an artificial lake on campus. Another cites smoking and drinking, combined with poor school performance, and possibly some intemperate comments to the staff. Also was told he was actually removed from school by his father for failing to improve their academics, as opposed to expulsion. In any case, his parents were deeply dismayed at the events and their plans failed for the future.

Navy

Coming up with no other career options, Bogart went on his love by the sea and enlisted in the U.S. Navy in the spring of 1918. He recalled later, eighteen t, the war was a big deal. Paris! the French! Damn! 20] Bogart is registered as a model sailor who spent most of his months in the Navy, after the armistice was signed, bringing troops home from Europe.

scar Brands

It was during his naval Bogart may have begun his scar and developed his trademark lisp characteristic, although the actual circumstances are not clear. In one account, during a bombing of his ship the USS Leviathan, his lip was cut by shrapnel, although some claim Bogart did reach the sea after the armistice was signed. Another version, which Bogart time friend, author Nathaniel Benchley, claims is the truth is that Bogart was injured while on a mission to bring a naval prisoner Portsmouth Naval Prison in Kittery, Maine. Supposedly, while changing trains in Boston, the handcuffed prisoner asked Bogart for a cigarette and while Bogart looked for a game, the prisoner raised his hands, smashed Bogart across the mouth with his fists, cutting the lips of Bogart, and fled. The prisoner was eventually taken to Portsmouth. An alternative explanation is in the process of uncuffing an inmate, Bogart was struck in the mouth when the inmate wielded a strap, open uncuffed while the other side still was on his wrist. According to Darwin Porter Humphrey Bogart: The Early Years, the scar was caused by his father, Belmont, during a terrible argument.

By time Bogart was treated by a doctor, the scar has already formed. "Medical damn," Bogart later told David Niven, "instead of sewing it, it blew everything. "Niven says that when he asked Bogart about the scar that he said was caused by a childhood accident Niven says that the stories Bogart got the scar during the war were made by the studios to inject glamor. His post-service physical makes no mention of the lip scar, although he mentions many smaller scars, then the real cause may have arrived late. When the actress Louise Brooks met Bogart in 1924, he had some scar tissue on his upper lip, which may have Belmont Bogart partially repaired before Bogart came into films in 1930. She believes that the scar had nothing to do with the distinct speech pattern, his sore lip gave him no impediment speech before or after having been repaired. Over the years, Bogart played all kinds of lip gymnastics, along with nasal tones, snarls, Lisps, and calumnies. His painful wince, his leer, his fiendish grin were the most talented ever seen on film. "

Early career

Bogart returned Belmont home to find he was suffering from poor health (perhaps aggravated by morphine addiction), his medical practice was faltering, and he lost a lot of family money bad investments in timber. During his naval days, Bogart's character and values developed independent of the influence of the family, and he started to rebel a bit of their values. He became a liberal who hated pretense, liars and snobs, and sometimes he defied conventional behavior and authority, traits that he showed in life and in his films. Moreover, he kept his features, manners, expression, punctuality, modesty, and not liking to be touched.

After naval service, Bogart worked as a securities dealer loader and then. He joined the Naval Reserve.

More importantly, he resumed his friendship with fellow childhood Bill Brady, Jr., whose father had show business connections, and eventually got a job in Bogart office work for William A. Mr. Brady is New World Films company. Bogart has to try his hand at writing, direction and production, but excelled at none. For a time he was stage manager for her daughter Brady's play The Lady ruined. A few months later, in 1921, Bogart made his debut in Japanese Drifting as a butler in another game Alice Brady, speaking nervously a line of dialogue. Several appearances in his later plays. Bogart liked the actors kept late hours, and enjoyed the attention that the actor took the stage. He said, was born to be indolent and this was the softest of rackets.

He spent much of his free time in bars illegal immigrants and became a heavy drinker. A bar fight during this time could have been the real cause of the damage lip Bogart, as it coincides with the best account of Louise Brooks.

Bogart had been raised to believe in acting under a gentleman, but he liked the scene of action. He never took acting lessons, but was persistent and worked steadily at his craft. He appeared in at least seventeen Broadway productions between 1922 and 1935. He played second leads juveniles or romantic comedies drawing room. He said he was the first actor to ask "of Tennis, anyone? "on stage. The critic Alexander Woollcott wrote of Bogart's early work, it" is what is usually described as mercy and inadequate. "Some reviews were kind. Nerves Heywood Broun wrote review, Umphrey performanceboth Bogart gives the most effective dry and fresh, if possible. Bogart loathed the trivial parts effeminate had to play early in his career, calling them "White Pants Willie" roles.

Early in his career, playing dual roles in the play Drifting at Playhouse Theatre in 1922, Bogart met actress Helen Menken. They were married on May 20, 1926 in Gramercy Park Hotel in New York, divorced on November 18, 1927, but remained friends. On April 3, 1928, he married Mary Philips in his mother's apartment in Hartford, Connecticut. She, like Menken, had an explosive temper, and like any other spouse Bogart was an actress. He had met Mary when she appeared in the nerves play, which had a very brief season at the Teatro Comedy, in September 1924.

After the crash of 1929, stage production fell sharply, and many of the most photogenic actors was to Hollywood. role of Bogart's early films with Helen Hayes in 1928 two-reeler The city of dance, a complete copy of which was never found. He also appeared with Joan Blondell in a Vitaphone short in 1930, which was re-discovered in 1963. Bogart, then signed a contract with Fox Film Corporation for $ 750 per week. Spencer Tracy was an actor Broadway serious whom Bogart liked and admired, and they became good friends and drinking buddies. Tracy was in 1930, who first called the "Bogey." (Written in many several sources, Bogart was written his nickname "Bogie".) Tracy and Bogart appeared in their only film together in the earlier film of John Ford Sound Up the River (1930) both inmates play. It was Tracy's debut film. Bogart then performed on the bad sister, Bette Davis in 1931 in a small part.

Bogart pushed back and forth between Hollywood and New York Stage 1930-1935, suffering long periods without work. His parents had separated, and Belmont died in 1934 in debt, which Bogart eventually paid. (Bogart inherited his father's gold ring he always wore, even in many of his films. When his father on his deathbed, Bogart finally told as the Belmont loved.)

Bogart second marriage was on the rocks, and he was less than happy with his acting career to date, he became depressed, angry, and drank a lot.

The Petrified Forest

Lauren Bacall, Humphrey Bogart and Henry Fonda in the 1955 television broadcast of the Petrified Forest.

Bogart starred in the invitation for a Broadway play Murder at the Masquerade Theatre, now the John Golden Theatre in 1934. Producer Arthur Hopkins heard the play from off the stage and sent for Bogart to play Duke Mantee in Robert E. murderer escaped Sherwood's new play, The Petrified Forest. Hopkins recalled:

When I saw the actor I was a little surprised, because he was the only one I never much admired. He was an antiquated juvenile who has spent most of his life, a phase in white trousers swinging a tennis racket. He seemed so far from a cold-blooded killer, as you might get, but the voice (dry and tired) persisted, and the voice was Mantee.

The play had 197 performances at the Broadhurst Theatre in New York in 1935. Leslie Howard, however, was the star. A New York Times critic Brooks Atkinson said of the game, roaring Western melodrama peach Humphrey Bogart is not the best work of his career as actor.43] Bogart said the film arked my release from the ranks of elegant, voluptuous, stiff shirt-tail moothies swallow that seemed doomed for life. However, he was still feeling insecure.

Warner Bros. bought the screen rights to the Petrified Forest. The studio became famous for his social-realist, urban, low-budget action pictures, the game seemed the perfect property for this, especially because the audience was fascinated by real life criminals like John Dillinger and Dutch Schultz. Bette Davis and Leslie Howard were released. Howard, who held the production rights, made clear he wanted Bogart to star with him. The studio tested several Hollywood veterans for the role of Duke Mantee, and chose Edward G. Robinson, who had greater star appeal and was due to make a movie to fulfill his expensive contract. Bogart cabled news of this to Howard, who was in Scotland. Howard cabled reply was: tt: Jack Warner Insist Bogart Mantee Play No Deal Bogart in LH. When Warner Bros. saw that Howard would not budge, they gave the cast and Bogart. Jack Warner, famous for butting heads with his stars, tried to get Bogart to adopt a stage name, but stubbornly refused Bogart. Bogart never forgot the favor of Howard, and in 1952 he named his only daughter, Leslie, after Howard, who had died in World War II. Robert E. Sherwood continued to be a friend of Bogart.

The early film career

The film version of The Petrified Forest was released in 1936. His performance was called rilliant, and ompelling Superb Action. Despite his success on film, Bogart received a warm week contract at $ 26 550 per week and was stigmatized as a criminal in a series of "B movie" crime dramas. Bogart was proud of his success, but the fact that he came to play a gangster weighed on him. He once said:

I can not get in a moderated discussion without turning it into an argument. There must be something in my tone of voice, or this faceomething arrogant that antagonizes everybody. Nobody likes me at first. I suppose that's why I'm cast as the heavy.

Bogart papers were not only repetitive, but physically demanding and draining (studios were not yet air-conditioned), and his work, well-regimented schedule at Warner was not exactly eachy the actor's life than he expected. However, he was always professional and generally respected by other actors. In those "B film" years, Bogart began to develop his film lasting persona injured, stoic, cynical, charming, lonely, vulnerable, self-mocking with a core of honor.

Bogart disputes with Warner Bros. over the papers and money were similar to those that the studio had other stars with less than obedient, like Bette Davis, James Cagney, Errol Flynn, Olivia de Havilland e.

Bogart, James Cagney and Jeffrey Lynn in the roaring twenties (1939), the last film Bogart and Cagney made together.

The system the studios, then in its most entrenched, the actors usually restricted to a studio, with occasional loan-outs, and Warner Bros. had no interest in making Bogart one of the biggest stars. Shooting a new movie might begin days or only hours after the shooting of the former was completed. Any actor who refused a role could be suspended without payment. Bogart did not like the roles chosen for him, but he worked steadily: between 1936 and 1940, Bogart averaged a movie every two months, sometimes even working on two simultaneously, as the films were not generally shot in sequence. Facilities at Warner were few compared with those of their fellow actors at MGM. Bogart thought that the wardrobe department Warners was cheap, and often wore suits in their own films. In the High Sierra, Bogart used his own pet dog Zero to play his character's dog.

The leading men ahead of Bogart at Warner Bros. included not only as classic stars as James Cagney and Edward G. Robinson, but also actors far less well known today, such as Victor McLaglen, George Raft and Paul Muni. Most of the studio's best film scripts was for these men, and Bogart had to take what's left. He made films like Racket Busters, San Quentin, and You Can not Get Away With Murder. The only important leadership role he has during this period was in Dead End (1937), while Samuel Goldwyn lent, where he played a gangster modeled after Baby Face Nelson. He played a variety of interesting roles adjuncts, such as Angels with Dirty Faces (1938) (in which his character was killed by James Cagney's). Bogart was shot several times in the film, Cagney and Edward G. Robinson, among others. In the Black Legion (1937), for a change, he played a good man trapped and destroyed by a racist organization, a movie named Graham Greene ntelligent and exciting, if rather serious.

In 1938, Warner Bros. put him in a "hillbilly musical" called Swing Your Lady as a wrestling promoter, later apparently considered this his worst film performance. In 1939, Bogart played a mad scientist in The Return of Dr. X. He cracked, "If he had not been blood Jack Warner would have cared much. The problem was they were drinking mine and I was making this stinking movie. "

Dark Victory (1939) was one of the films in which he played a supporting role.

Mary Philips, in his own sizzling stage hit A Touch of Brimstone (1935), refused to give up her career on Broadway to go to Hollywood with Bogart. After the play closed, however, she went to Hollywood, but insisted on continuing her career (she was still a bigger star than he was), and they decided divorced in 1937.

On August 21, 1938, Bogart entered into a disastrous third marriage, to actress Mayo Methot, a woman, lively and friendly when sober, but paranoid when drunk. She was convinced that her husband was cheating. The more she separated and Bogart, the more she drank, got furious and threw things at him: plants, china, anything close at hand. She arrived to put the house on fire, stabbed with a knife and slashed his wrists on several occasions. Bogart for his part, she needled mercilessly and seemed to enjoy confrontation. Sometimes, he became violent. The press dubbed them with precision "the Battling Bogarts." "The Bogart-Methot marriage was the continuation civil war, "said his friend Julius Epstein. A wag observed that there was" madness in his Methot. "During this time, Bogart bought a speedboat, which he called Sluggy after his nickname for his wife temperamental. Despite his proclamation that "I like a jealous wife," we were so close together (because) we have no illusions about the other ", and" I would not give two cents for a dame without a temper, "became a highly destructive.

In California in 1945, Bogart bought a 55-foot (17 m) yacht, Santana, actor Dick Powell. The sea was his sanctuary, and he liked sail around Catalina Island. He was a sailor serious, respected by other sailors who had seen many Hollywood actors and their boats. About 30 weekends a year, he left on his boat. He once said: "An actor needs something to stabilize his personality, something to preach what he really is not what he is pretending be. "

He had a lifelong disgust for the pretentious, fake or false, as his son Stephen told Turner Classic Movies host Robert Osborne in 1999. Sensitive yet caustic and angry at the movies than he was acting in, Bogart cultivated the persona of a soured idealist, a man exiled from better things in New York, living by your wits, drinking too much, cursed to live his life among second-rate people and projects.

Bogart rarely saw his own films and premieres avoided. He did not participate in the game of Hollywood gossip or snuggle up newspaper columnists, nor engage in false politeness and admiration of his peers or by behind the scenes trickery. He even protected his privacy with the press about his private life he invented to satisfy the curiosity of the press and the public. When he thought that an actor, director or a movie studio had done something shoddy, he spoke about it and was willing to be named. He advised Robert Mitchum, the only way to stay alive in Hollywood was to be an "Against". As a result, he was not the most popular actors, and some in the community shunned him in Hollywood particularly to avoid problems with the studios. But the Hollywood press, unaccustomed to candor, was delighted. Bogart once said:

Throughout Hollywood, they are continually advising me: "Oh, you should not say that. This will put you in a lot of trouble" when I say that some images, writer or director or producer is not good. I do not get it. If it is not good, because you can not say that? If more people would like to mention that very may soon begin to have some effect.

Rise to stardom

High Sierra

High Sierra, a 1941 film directed by Raoul Walsh, had a screenplay written by Bogart's friend and partner of drinking, John Huston, adapted from the novel by WR Burnett (Little Caesar, etc.). Both Paul Muni and George Raft turned down the role main Bogart giving the opportunity to play a character of some depth. The last major film was Bogart playing a gangster movie (his role as gangster end was in The Big Shot in 1942). Bogart worked well with Ida Lupino and her relationship with him was close, provoking the jealousy of Bogart's wife Mayo.

The film consolidated a strong link between personal and professional Bogart and Huston. Bogart admired and envied Huston for his skill both as a writer. Though a poor student, Bogart was a lifelong reader. He could quote Plato, Pope, Ralph Waldo Emerson and over a thousand lines of Shakespeare. He enrolled in Harvard Law Review. He admired writers, and some of his best friends were screenwriters, including Louis Bromfield, Nathaniel Benchley and Nunnally Johnson. Bogart enjoyed conversation intense, provocative and strong drinks, as did Huston. Both were rebellious and liked to play childish games. John Huston was reported to be easily bored during production, and admired Bogart (who also got bored with ease off camera), not only for his performance talent but by his intense concentration on the game.

The Maltese Falcon

Bogart as Sam Spade in The Maltese Falcon

Raft turned down the male protagonist directorial debut of John Huston's The Maltese Falcon (1941), because it is a cleaner version of the code pre-production on The Maltese Falcon (1931), his contract stipulating that he would not have to appear in remakes. The original novel written by Dashiell Hammett, was first published in the pulp magazine Black Mask in 1929. It was also the basis for another movie version, Satan Met a Lady (1936). Complementing Bogart were co-stars Sydney Greenstreet, Peter Lorre, Elisha Cook Jr., and Mary Astor as the treacherous female foil.

Bogart sharp timing as private detective Sam Spade was praised by the cast and director, vital for quick action and rapid-fire dialogue. The film was a huge success and Huston, a triumphant directorial debut. Bogart was extraordinarily happy with it, commenting that "it is practically a masterpiece. I have many things I pride, but this is a ".

Casablanca

Bogart won his first real romantic lead in Casablanca in 1942, playing Rick Blaine, the hard-pressed expats owner nightclub, hiding from the past and negotiate a fine line between Nazis, the French Resistance, the mayor of Vichy and unresolved feelings for his ex-girlfriend. The film was directed by Michael Curtiz, produced by Hal Wallis and featured a strong cast including Ingrid Bergman, Claude Rains, Sydney Greenstreet, Paul Henreid, Conrad Veidt, Peter Lorre and Dooley Wilson.

Sydney Greenstreet and Bogart in Casablanca.

In real life, Bogart played chess tournament, one level below the Masters level, and many Sometimes playing with the crew and cast off the set. He would have been his idea that Rick Blaine be portrayed as a chess player, who also served as a metaphor for the relationship of sparring the characters played by Bogart in the film and rain. However, Paul Henreid proved to be the best player.

The on-screen magic Bogart and Bergman was the result of two actors doing their best work, not real life any sparks, but the perennially jealous woman took the opposite Bogart. Off the set, co-stars hardly spoke during the filming, which normally had a reputation for affairs with his men left. Why Bergman was taller than his protagonist, Bogart had blocks of 3 inches (76 mm) attached to his shoes in some scenes. She reportedly said afterwards: "I kissed him, but I never knew him." Years later, after Bergman had taken up with Italian director Roberto Rossellini, and bore him a child, Bogart confronted her. "You used to be a big star," he said, "What are you now?" "A woman happy," she said. [Citation needed]

Casablanca won the 1943 Oscar for Best Picture. Bogart was nominated for Best Actor in a Leading Role, but lost to Paul Lukas for his performance in Watch on the Rhine. Still, for Bogart, who was a great triumph. The movie threw from fourth place to first in the list of the studio, finally exceeding James Cagney, and more than double his salary to more than $ 460,000 per year until 1946, making him the highest paid actor in the world.

Bogart and Bacall

Bogart and Bacall interviewed during World War II.

Bogart met Lauren Bacall during the filming of To Have and Have Not (1944), a very free adaptation of the novel by Ernest Hemingway. The film has many similarities to Casablanca the same enemies, same kind of hero, even a pianist sidekick (this time Hoagy Carmichael).

When they met, Bacall was nineteen and Bogart was forty-five. He calls his "baby." She had been a model since she was sixteen and had acted in two games failed. Bogart was drawn to the high cheekbones Bacall, green eyes, blond hair and tawny lean as well as the attitude and honesty, outspoken land. Reportedly, he said, just saw your test. Wel have lots of fun together. Your physical and emotional relationship was very strong from the start, and the age difference and different experimenters also created a new dimension of a relationship mentor-student relationship. Quite the contrary the standard of Hollywood, was his first case with a protagonist. Bogart was still miserably married and his first meeting with Bacall were discreet and soon, their separations connected by ardent love letters. The relationship became much easier for the newcomer to make his first film, and Bogart did his best to put her at ease, joking with her and she calmly coaching. He let her steal scenes and even encouraged it. Howard Hawks, in turn, also made his better to increase their performance and their role, and found Bogart easy to drive.

Hawks at some point began to disapprove of the pair. Hawks considered himself her protector and mentor, and Bogart was usurping that role. Hawks fell for Bacall as well (normally he avoided his starlets, and he was married). Hawks said she meant nothing to Bogart and even threatened to send her to Monogram, the worst studio in Hollywood. Bogart calmed down and then went after Hawks. Jack Warner settled the dispute and filming resumed. Out of jealousy, Hawks said of Bacall "Bogie fell in love with the character she played, so she had to keep playing the rest of your life."

The Big Sleep

Just months after wrapping the film, Bogart and Bacall were re-united for their second film together, the noir masterpiece The Big Sleep, based on the novel Raymond Chandler, again with help from a screenplay by William Faulkner. Chandler thoroughly admired Bogart performance: "Bogart can be tough without a gun Moreover, he has a sense of humor that contains this grid dismissive tone .. "

Bogart was still torn between his new love and his sense of duty to their marriage. Weather the set was tense, the actors emotionally exhausted as Bogart tried to find a solution to your dilemma. Again, the dialogue was full of sexual suggestion provided by Hawks, and Bogart is compelling and enduring as the private detective Philip Marlowe. In the end, the film was very successful, although some critics found the plot confusing and overly complicated.

Marriage

Divorce proceedings began in February 1945. Bogart and Bacall, then married in a small ceremony at the cottage of Bogart friend, Pulitzer Prize-winning author Louis Bromfield at Malabar Farm in Lucas, Ohio on May 21, 1945.

Bogart and Bacall moved to a $ 160,000 brick mansion in an exclusive white neighborhood of Holmby Hills.The marriage proved happy if there were no normal stresses due to their differences. He was a homebody and like nightlife. He loved the sea, which made her ill. Bacall allowed Bogart lots of time on weekends on his boat as she was sick. Bogart sometimes flared drinking tensions.

Lauren Bacall gave birth to Stephen Humphrey Bogart on January 6, 1949. Stephen was named after the nickname of character Bogart in To Have and Have Not, making Bogart a father at 49. Stephen would become a bestselling author and biographer, after hosting a television special about his father on Turner Classic Movies. They had their second child, Leslie Howard Bogart, 23 August 1952, a girl named after British actor Leslie Howard, who had been killed in World War II.

End of career

The enormous success of Casablanca redefined Bogart's career. For the first time, Bogart could be converted successfully as a hard man, strong and at the same time, as a vulnerable love interest. Despite the high position of Bogart, who do not have a contractual right of refusal script, so when he arrived weak script, he dug his heels, and locked horns again with the front office, as he did in the film Conflict (1943). Although it presented to Jack Warner about this image he got rejected God Is My Co-Pilot (1945). During part of 1943 and 1944, Bogart spent USE guided walks and War Bond Mayo, enduring arduous travels to Italy and North Africa, including Casablanca.

The Treasure of Sierra Madre

Riding high in 1947 with a new agreement that provides certain rights and refuses to script right to form his own independent production company, Bogart John Huston met with the treasure of Sierra Madre, a tale of greed involving three striking miners played out on the dusty back country of Mexico. Absent any love story or a happy ending, it was considered a risky project. Bogart said later of co-star (and father of John Huston), Walter Huston, "He's probably the only artist in Hollywood, for whom I missed a scene."

The film was tiring to do, and was made in the summer for a greater realism and atmosphere. James Agee wrote, "Bogart is a wonderful job with this charactermiles ahead very good work he has done before. John Huston won Oscars for direction and screenplay and his father won Best Supporting Actor, but the film office had mediocre results cash. Bogart complained, no clever script, beautiful directedomething differentnd treat the public turned on him. "

The House Un-American Activities Committee

Bogart, a liberal Democrat, organized a delegation to Washington, DC, called the Committee for the First Amendment during the height of McCarthyism, against harassment House Un-American Activities Committee of the Hollywood writers and actors. Then he wrote an article "I'm not a communist," in the March issue of 1948 Photoplay magazine in which he distanced himself from The Hollywood Ten in order to counter negative publicity that resulted from its appearance. Bogart wrote: "The ten men cited by contempt by the House Un-American Activities Committee were not held by us. "

Santana Productions

Besides being offered better more diverse roles, started his own production company in 1948, Santana Productions, named after his private yacht. (Santana was also the name of the yacht featured in a 1948 film Key Largo). Jack Warner would have been furious about it, even if the contract of Bogart, fearing that other stars would do the same and the major studios lose their power. The studios, however, were already under a lot of pressure not only from free-lance actors like Bogart, James Stewart, Henry Fonda and others (who also saved taxes as independent), but also the impact of television and erosion from anti-trust laws they were breaking the chains of theaters. Bogart held in his last film for Warner, Chain Lightning and The Enforcer, both launched in early 1950.

Under Bogart Santana Productions, which released by Columbia Pictures, Bogart starred in knocking on any door (1949), Tokyo Joe (1949), In a Lonely Place (1950), Sirocco (1951) and Beat the Devil (1954). While the majority of its film lost money at the box office (the main reason for the end of Santana), at least two of them are still remembered today, In a Lonely Place is now recognized as a masterpiece film noir. Bogart plays embittered writer Dixon Steele, who has a history of violence and becomes a suspect in a murder case, while he falls for a failed actress, played by Gloria Grahame. Many biographers of Bogart and actress and writer Louise Brooks agree that the paper is the closest to Bogart's real self and is considered one of his best performances. She wrote that the film Hail him a role he could play with the complexity, because pride the movie character in his art, his selfishness, drunkenness, lack of energy stabbed with lightning strokes of violence were shared by Bogart real. The character even mimics some of Bogart's personal habits, including two ordering Bogart's favorite meal of ham and eggs.

Beat the Devil, his latest film with his close friend and favorite of director John Huston, also enjoys a cult following. Co-written by Truman Capote, the film is a parody of The Maltese Falcon, and is a tale of a group of amoral villains chase an unattainable treasure, in this example, uranium.

Bogart sold his interest in Santana to Columbia more than $ 1 million in 1955.

The incident panda

Bogart and his friend Bill Seeman arrived at the El Morocco Club in New York after midnight in 1950. Bogart and Seeman sent someone to buy two £ 22 stuffed pandas because, in a drunken state, thought the pandas would be good company. They supported the government has in separate chairs, and started drinking. Two young women saw the filling animals. When a woman took one, she quickly turned down. The other woman tried to do the same and ended in the same position.

The next morning, Bogart was awakened by a city official who served him a summons for assault. Knowing a media frenzy was imminent, he met the unshaven the media and pajamas. He told the press that he remembered to get the panda and "this screaming, shouting young. No one was hurt, I had no stockings;. If the girls were falling on the floor, I think it was because I could not stand "At the same time, Time reported the alleged victim had three marks of the alleged aggression, "she explained that they were swelling and contusions." The club spokesman Leonard MacBain said, "No blows were exchanged, he was only one of those things. "

The following Friday, after the woman admitted to touching the panda, "Magistrate John R. Starkey ruled that Bogart had been defending their property, said he suspected the actor had been the cause of mousetrapped advertising the club, and dismissed the case. "

The African Queen

Bogart The African Queen in

Bogart starred opposite Katharine Hepburn in the movie The African Queen in 1951, again directed by his friend John Huston. The novel has been neglected and left underdeveloped for fifteen years until producer Sam Spiegel and Huston bought the rights. Spiegel posted the book Katharine Hepburn and Bogart she suggested to the male role, firmly believing that e was the only man who could have played that part. Huston love of adventure, a chance to work with Hepburn, Bogart and previous successes with Bogart Huston persuaded to leave the comfortable limits of Hollywood for a hard session on site in the Belgian Congo in Africa. Bogart was to get 30 percent of profits and Hepburn 10 percent, plus a salary relatively small for both. The stars met in London and announced the happy prospect of working together.

Bacall for the duration (more than four months) leaving her child behind, but the Bogarts the trip started with a European tour including a visit to Pope Pius XII. Later, the glamor would be gone and she become useful as a cook, nurse and washing machine, for which she praised Bogart, we know what we have done without it. She luxed my underpants in darkest Africa. Almost everyone in the cast came with dysentery except Bogart and John Huston, who subsisted on canned food and alcohol. Bogart explained: "All I ate was beans, asparagus preserved and Scotch Whenever a fly bit Huston or me, who fell dead.. "The Hepburn abstainers, in and out of character, fared worse in difficult conditions, losing weight, and at the same time, getting very sick. Bogart resisted Huston's insistence on using real leeches in a key scene where Bogart has to drag the boat through a shallow swamp until reasonable forgeries were employed. In the end, the team won disease, invasions of soldier ants, leaking boats, feed the poor, attacking hippos, water filters shoddy, terrible heat, isolation, and a fire boat to complete a memorable movie.

The African Queen was the first Technicolor film in which Bogart appeared. Surprisingly, he appeared in relatively few color films for the rest of his career, which lasted for five years. (His other films included The Caine Mutiny color, The Barefoot Contessa, We're No Angels, and The Left Hand of God).

The role of Charlie Allnutt Bogart won an Oscar for Best Actor in a leading role only in 1951. Bogart considered his performance to be the best of his film career. He had promised friends that if he won, his speech would break the convention of thanking everyone in sight. He advised Claire Trevor, when she was nominated for Key Ust off to say you did everything yourself and not thank anyone. But when Bogart won the Oscar, he really coveted, despite well-advertised its contempt for Hollywood he said t is a long way from the Belgian Congo to the theater stage. It's nice to be here. Thank you very muchNo made alone. As in tennis, you need a good opponent or partner to bring the best in you. John and Katie helped me be where I am now. Despite the thrilling victory and recognition, Bogart commented more later, he way to survive an Oscar is never to try to win another one … starswin too it and then figure that has to top … they are afraid to take risks. The result: a lot of bland performances photos dull.

Final papers

from The Treasure of the Sierra Madre trailer (1948)

Bogart dropped their price to land the role of Captain Queeg in The Caine Mutiny of Edward Dmytryk, then complained to some of his old bitterness about it. For all his success, he was still his old self gloom, muttering and yelling at the studio while his health was beginning to deteriorate.

Bogart gave a bravura performance as Captain Queeg, a naval officer unstable in many ways an extension of the character he had played in The Maltese Falcon, Casablanca and The Big Sleephe lonely suspicious that do not trust any of oneut with the warmth or humor that made those characters so appealing. Like his role of Fred C. Dobbs in The Treasure of Sierra Madre, Bogart played a character paranoid self-pity, whose meanness eventually destroy it. Three months before the release of the film, Bogart as Queeg appeared on the cover Time, while on Broadway starring Henry Fonda was in the stage version (in a different role), which generated strong publicity for the film.

In Sabrina, Billy Wilder, unable to provide Cary Grant, Bogart chosen for the role of older brother, a conservative who competes with his younger playboy brother (William Holden) to the affection the Cinderella-like Sabrina (Audrey Hepburn). Bogart was lukewarm about the play, but agreed with him on a handshake with Wilder, finished without a script, director and guarantees to take good care of Bogart during the filming. But Bogart took ill with the director and co-stars. He also complained about the script that was written in a last-minute basis, daily and Wilder favored Hepburn and Holden and set off. The main problem was that Wilder was the opposite of his ideal director, John Huston, both in style and personality. Bogart told press that Wilder was "arrogant" and "is the kind of German Prussian with a whip. He is the kind of director I do not like working with the image … is a crock of shit. I got sick and tired of those who stay with Sabrina. "Wilder said:" We started off as enemies, but finally gave up. "Despite the animosity, the film was a success. The New York Times Bogart, "He's incredibly agile … the skill with which this actor old rock-ribbed mixes gags and duplications, with such a virile form of fusion is one of the incalculable joys of the show. "

The Barefoot Contessa, "directed by Joseph Mankiewicz in 1954 and filmed in Rome, gave Bogart one of his more subtle. In this film, the back-story Hollywood, Bogart is the man broke again, this time, the cynical narrator who saved chief his career, making a star of a flamenco dancer Ava Gardner, modeled on the real life of Rita Hayworth. Bogart was uneasy with Gardner because she had just separated the Rat Pack buddy Frank Sinatra, and was continuing with bullfighter Luis Miguel Domingun. Bogart said: "Half the population of the world that women play the feet of Frank and here ruffles around with guys who wear capes and little ballerina slippers. "He was also uncomfortable with their performance inexperienced. Later, she credited him with helping her. Bogart performance was widely praised as the strongest part of the movie. During filming, while I was home Bacall, Bogart resumed their romance discreet with Verita Peterson, his studio assistant for a long time he took the candle and liked to drink with. But when Bacall suddenly arrived on the scene to discover them together, Bacall took it very well. He took an expensive shopping spree him and the three traveled together after the shooting.

Bogart could be generous with the actors, especially those who were blacklisted, down on their luck, or with personal problems. During the filming of The Left Hand of God (1955), he noticed his co-star Gene Tierney have difficulty also remember his lines and behaving strangely. He coached Tierney, feeding her lines. He was familiar with mental illness (his sister had bouts of depression), Tierney and Bogart encouraged to seek treatment, which she did. He also stood behind Joan Bennett and insisted on as his co-star in We're No Angels, when a scandal made her persona non grata with Jack Warner.

In 1955, he made three films: We're No Angels (dir. Michael Curtiz), The Left Hand of God (Dir. Edward Dmytryk) and The Desperate Hours (Dir. William Wyler). Mark Robson, The Harder They Fall (1956) was his last film.

Television work

Bogart rarely appeared on television. However, he and Lauren Bacall appeared on Edward R. Murrow Person to Person. Bogart was also featured on The Jack Benny Show. The surviving kinescope of the live Benny telecast features Bogart in his only TV sketch comedy tour. Bogart and Bacall also worked together on a color television early in 1955 an NBC adaptation of The Petrified Forest Showcase producers; kinescope in black and white live broadcast survived.

Radio work

Bogart held radio adaptations of some of his best known films such as Casablanca and The Maltese Falcon. He also recorded a radio series long called Bold Venture with Lauren Bacall.

Movies

Main article: Humphrey Bogart filmography

The Rat Pack

Bogart was a founding member of the Rat Pack. In the spring of 1955, after a long party in Las Vegas with Frank Sinatra, Judy Garland, her husband, Sid Luft, Mike Romanoff and wife Glory, David Niven, Angie Dickinson and others, Lauren Bacall surveyed the wreckage of the party and said: "You look like a goddamn rat pack."

Romanoff's in Beverly Hills, where was the "Rat Pack" became official. Sinatra was named Pack Leader, Bacall was named Den Mother, Bogie was Director of Relations Public, and Sid Luft was Acting Manager Cage. When asked by columnist Earl Wilson what the purpose of the group was, Bacall responded "to drink a lot of bourbon and stay until later. "

Chess

Bogart was an excellent chess player, near the main power. Before all the money he made from acting, he hustle players for coins and quarters, playing in parks in New York and Coney Island. The chess scene in Casablanca did not in the original script, but were placed at his insistence. The position chess games of a correspondence appears in the film, although the picture is a little out of focus. He managed a draw in a simultaneous exhibition given in 1955 Beverly Hills by famous chess Grandmaster Samuel Reshevsky and also played against George Koltanowski in San Francisco in 1952 (Koltanowski played blindfolded, but still won in 41 moves).

Bogart was a U.S. Chess Federation tournament director and active in the California State Chess Association and a frequent visitor to the Chess Club in Hollywood. In 1945, the cover of the June-July issue of Chess Review showed Bogart playing with Charles Boyer and Lauren Bacall (who also played) notes. In June 1945, in an interview in the magazine "Silver Screen, when asked what things in life that mattered most to him, he replied that chess was one of its main interests. He added that he played chess almost every day, especially for film shootings. He loved the game all his life.

Death

star Humphrey Bogart in the Hollywood Walk of Fame.

In the mid 1950s, Bogart's health was failing. Once, after signing a long-term agreement with Warner Bros., Bogart predicted with joy that their teeth and hair would fall out before the contract ended. That sent a fuming Jack Warner to his lawyers. Bogart had formed a new company production and had plans for a new film by Melville Goodwin, USA, where he play a general and Bacall a newspaper tycoon. His persistent cough and difficulty eating became too serious to ignore and he abandoned the project. The film was re-named Top Secret Affair and made with Kirk Douglas and Susan Hayward.

Bogart, a heavy smoker and drinker, contracted esophageal cancer. He almost never spoke of his ill health and refused to see a doctor until January 1956. The diagnosis was made some weeks later and then removal of his esophagus, two lymph nodes and a rib on March 1, 1956 was too late to stop the disease, even with chemotherapy. He underwent corrective surgery in November 1956 after the cancer had spread.

Katharine Hepburn and Spencer Tracy came to see him. Frank Sinatra also was a frequent visitor. Bogart was too weak to climb stairs. He bravely fought the pain and tried to make a joke about his immobility, "Put me on the sideboard and I going down to the first floor in style. "Which is what happened, the trimmer was changed to accommodate his wheelchair. Hepburn, in an interview, described the latest time she and Spencer Tracy saw Bogart (the night before he died):

Spence patted him on the shoulder and said, 'Goodnight, Bogie. " Bogie turned his eyes to Spence very quietly and with a sweet smile covered his hand with his own and Spence said: "Goodbye, Spence." Spence heart stopped. He understood.

Bogart had just turned 57 and weighed 80 pounds (36 kg) when he died on January 14, 1957 after falling into a coma. He died at 2:25 a.m. at his home at 232 Mapleton Drive in Holmby Hills, California. His simple funeral was held at the Church of All Saints Episcopal with musical selections played from Bogart favorite composers, Johann Sebastian Bach and Claude Debussy. Present were some of Hollywood's biggest stars, including Katharine Hepburn, Spencer Tracy, David Niven, Ronald Reagan, James Mason, Danny Kaye, Joan Fontaine, Marlene Dietrich, Errol Flynn, Gregory Peck and Gary Cooper, as well as Billy Wilder and Jack Warner. Bacall Spencer Tracy asked to give the eulogy, Tracy, but she was very upset, so John Huston did the eulogy instead, and reminded the mourners gathered that while Bogart's life had ended too soon, had been a rich man.

Himself, he never took too seriously work more seriously. He considered the figure gimmicky Bogart, the star, with amused cynicism; Bogart, the actor, he held in deep respect to each of the sources Versailles is a pike which keeps all the carp of the asset, otherwise they would grow and die overfat. Bogie took rare delight in performing a duty similar sources in Hollywood. However, victims rarely gave him any malice, and when they did, not for long. Their stems were formed just to stay in the outer layer of complacency, and not to penetrate the regions of the spirit where real injuries are made … He is utterly irreplaceable. There will never be another like him. "

His cremated remains were buried at Forest Lawn Memorial Park Cemetery, Glendale, California. Buried with him is a small gold whistle, which he had given to his future wife, Lauren Bacall, before getting married. In reference to their first film together, was inscribed: "If you want anything, just whistle."

side of Humphrey Bogart and footprints are immortalized in the courtyard of Grauman's Chinese Theater, and he has a star on Hollywood Walk of Fame at 6322 Hollywood Boulevard in Hollywood.

Tributes

After his death, a "Bogie Cult" formed at the Brattle Theatre in Cambridge, Massachusetts, as well as Greenwich Village, New York and France, which contributed to its increase in popularity in the years 1950 and 1960.

In 1997, the magazine Entertainment Weekly named it the number legend of a film of all time. In 1999, the American Film Institute ranked Biggest Male Star of all time.

Jean-Luc Godard in Breathless (1960) was the first film to pay homage to Bogart. Later, in homage to Woody Allen comedy Bogart Play It Again, Sam (1972), the ghost of Bogart comes to the aid of the bumbling character Allen, a film critic with the problems and women whose "sex life has become the" Petrified Forest. "

In 1997, the United States Postal Service featured Bogart in his "Legends of Hollywood" series.

Quote

Wikiquote has a collection of quotations related to: Humphrey Bogart

Bogart is credited with five of the American Film Institute's top 100 quotations in American cinema, the largest of any actor:

5: "Here's looking at you, kid" Casablanca

14: "The stuff that dreams are made of." The Maltese Falcon

20: "Louis, I think this is the beginning of a beautiful friendship." Casablanca

43: "We always Paris." Casablanca

67: "Of all the gin joints in all the cities around the world, she walks into mine." Casablanca

In popular culture

This "culture popular "section may contain references or less trivial. Please rearrange this content to explain the impact of context on popular culture, rather than simply list appearances, trivia and remove references. (January 2010)

Humphrey Bogart's life has captured the imagination of many writers and others:

The variation of Fedora "Bogart" was nominated for the actor, who also was the first bearer of the hat.

The movie Friday the 13th (1980 film) features Mark Nelson as Ned who does an impression of Bogart, uttering the phrase "You know, you're beautiful when you are dear, angry."

Two Bugs Bunny cartoons featured Humphrey Bogart:

In Slick Hare (1947), Bogart rabbit requests in a Hollywood restaurant. She said she has rabbit, he becomes insistent, leading waiter Elmer Fudd to try (unsuccessfully, as usual) to serve as Bugs meal. Bogart finally gives up, saying. "Baby will just have to have a ham sandwich" Baby "being nicknamed Bacall. Bugs, hearing the name immediately presents itself and go totally ga-ga over Bacall, who looks fun.

In 8 Ball Bunny (1950) Bugs decides to take a baby penguin back to the South Pole. At intervals, "Fred C. Dobbs" (Bogart's character in Treasure of Sierra Madre) appears and asks Bugs "to help a poor American down on his luck," says Bogart line several times in the film by John Huston, playing an American gringo.

In Miguel Street VS Naipaul (1959), a character renames himself "Bogart" after Casablanca is shown in Trinidad.

Bogart is featured in a comic book movies of Woody Allen's Play It Again, Sam (1972), which recounts the story of a young obsessed by his persona.

Issue # 70 The Phantom of the U.S. book (1977) comic is known as the "Bogart" issue, as history Humphrey Bogart, Lauren Bacall, Sydney Greenstreet, Peter Lorre and Claude Rains and is a blend of Casablanca, The African Queen, The Maltese Falcon and The Treasure of Sierra Madre.

The Man With Bogart's Face (1981), starring Bogart lookalike Robert Sacchi.

The comic series The Bogie Man presents a mental patient who believes he is an amalgam of several characters in the film Bogart.

The phrase "bogarting" refers to taking a wrong time with a cigarette, drink, et cetera, which is supposed to be shared (eg, "Do not Bogart that joint!"). It derives from the style of cigarette Bogart, who left with cigarette in your mouth instead of withdrawing it between puffs.

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